My first five minutes with James Taylor

James Taylor -- Covers James Taylor has been a blessing to me since hearing his records in high school more than 20 years ago.  While I did also listen to music that was louder (Jimi Hendrix) or bigger (Led Zepplin) or more highly produced (The Beatles), his voice, his guitar playing, and the lyrics he sang combined to create  for me a touchstone of musical purity and beauty that actually sustained me through some deep and dark noreastern winters.  So James, if you are reading this, thank you!

This year James Taylor is promoting Covers, a new album of old music he didn’t write.  And as he explains in the liner notes of his CD, that’s nothing new.  And there’s yet more “everything old is new again” as he talks about his recording process…

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Jazzin the Piedmont?

Jazzin the Black ForestLast month at the Ars Electronica 2008 conference and festival, I had a chance to discuss with a number of very smart folks both my physical studio project, Manifold Recording, and my approach to creating a new recording environment/context, the Miraverse.  In the course of those discussions, a number of people mentioned Jazzin the Black Forest, a Book/DVD combination that documents the amazing history of the German MPS label.

The letters MPS stand for “Most Perfect Sound”, and as John Kelman writes…

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Welcomed home by Stanley Jordan (and Bob Edwards)

Joi Ito invited me to be a speaker at the 2008 Ars Electronica Symposium and Festival, held each year in Linz, Austria. I chose to speak about Music, Software, and Sustainable Culture, tying together my free software and free culture sensibilities. But after discharging those responsibilities, and after meeting tons of new people and sharing lots of new information, it was time to come home.

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Seeds of Shakti grow in Durham

John Heitzenrater teaches sarongPage counts and advertising revenues may be down at our local newspaper, the News and Observer, but we still subscribe because it still brings us a lot of good news, reporting, and commentary.  This morning I read a particularly inspiring article about John Heitzenrater, an expert in South Asian instruments.

The article begins by noting that Heitzenrater’s roots are Swedish, his accent American, “[but] when John Heitzenrater fiercely strums the sarod, the music resonates, transcending geographical and ideological boundaries.”

It turns out that Heitzenrater was inspired by one of the great boundary-trascendents, John McLaughlin

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Music Producers Institute hosts Radney Foster (and invites you)

Radney FosterThere are a growing number [1] [2] of stories lately about music studios opening up to a new way of doing things, namely the total integration of performance and experience that I call co-production.  Here’s another story from the Music Producer’s Institute and their upcoming session with Radney Foster.

They advertise:

“Whether you are studying recording in school or on your own, let MPI show you the producer’s side of recording’s creative process, from start to finish: from pre-production to mastering. Founded by Grammy-winning producer Steve Fishell, MPI teaches you producing techniques that apply to all musical genres, from popular to fringe, indie to mainstream.

“Hear and see a real-world, master-level recording session as we track with world-class singers, musicians and engineers. Gain first-hand experience watching Grammy-winning industry pros at work at the Sound Emporium Studios, Nashville, TN.

“Hear daily special guest lecturers share their studio know-how, insights, tips and wisdom gained from decades of experience. Foster contacts with music industry pros and insiders.”

I think they’ve got an absolutely wonderful idea here…

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Peter Gabriel to adopt music co-producer model?

The Big Room @ Real World Studios David Rose tipped me off to this story titled Peter Gabriel Considers Allowing Fans Into Recording Studio.  The source for that story reports:

“The Incredible String Band wrote to their fans on their website and sold admission to their recordings… and that gave them the budget to purchase the studio time. They created a mini-economy based on 120 people.”

Props to Peter Gabriel for being able to manage the crush of 120 people in his studio (or at least be game to do so)!

Actually, I think this could be a significant turning point for the recording industry…

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George Massenburg's latest: live studio performances

George Massenburg

George Massenburg is a legend in the recording industry.  His innovations include the introduction of the parametric equalizer in 1972, and his work on preamplifier design, dynamic range controllers, and other engineering equipment has also led the field for years.  His contributions to audio engineering go beyond mere tools: as recording engineer, mixing engineer, and as a producer, his name is on some of the most important records ever made.  And he has the Grammy Awards to prove it.

A new discussion thread on the gearslutz.com bulletin board tells us that George is continuing to work well outside the box, by capturing a live studio performance as a performance.  What’s most exciting to me is that it sounds very much like what I’ve been writing about co-production at The Miraverse

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Slow Food makes its way to the table

The objective of Fast Food, it seems, is to maximize short-term profits.  The eater profited by “wasting” as little time as possible eating, and the producer profited by sourcing the cheapest possible ingredients from the global economy, assembling those ingredients as rapidly and mechanically as possible, without regards to any externalities (such as the health of the eater, the quality of the food, the fairness to the farmer, and especially without regard to the environmental costs of the endeavor).  By contrast, the the objective of Slow Food is to create food that is good (pleasurable to eat), clean (healthy and regenerative to the environment), and fair (to farmers, chefs, and all who bring the food to the table).  Good, clean, and fair create a new triple bottom line for measuring the quality of food, and as the New York Times now reports, locally grown food is becoming de rigeur among the trend-setters.

“What I’m seeing with my clients is not the trendiness or the politics,” [chef] Mr. Welch said. “They are looking only at taste.”

Mrs. Howard said she ate local vegetables growing up in northern Michigan and Chicago. But her husband, a private equity fund manager, ate a lot of expensive imported food with little thought about where it came from. But all that has changed.

“It’s like the first time you start drinking good red wine and you realize what you were drinking was so bad you can’t go back to it,” Mrs. Howard said. “It’s that same way with vegetables.”

If a hedge fund manager can get this excited about vegetables, what might the future hold for music that is good (pleasurable to listen to), clean (faithfully recorded and produced), and fair (to the musicians, engineers, and all who bring the music to the listener)?

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Music: Food for the Soul?

Another article by Robert Frank confirms that the most desirable purchase these days is not a thing, but an experience (a memorable meal to be precise). What’s up with that?

For data, Frank provides that:

A new study by American Express of their U.K. Centurion card holders (read: titanium-toting super-rich) found that “self-fullillment and learning” is the second-most-important priority for high-end vacationers. Number one was “value for money.”

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Anya Kamenetz asks "Who's American Dream is it Anyway?"

Silly me. While I’ve been focusing on how the music industry seems hell-bent on its own self-destruction, Anya Kamenetz has been looking a far larger picture: the whole American way of life. And I think she has a point.

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