The things I learn by talking with just a few people who know a lot!
I just learned about Philly Through My Ear, a creative, collaborative effort to bring together great jazz musicians, honor them, pay them, record what is still <em>great</em> music, and then give them a lottery ticket in the form of a CD that they are free to sell whereever and hoever they wish. Why, that sounds just like the fair share model I’m trying to promote in The Miraverse!
According to the wealth survey of the Wall Street Journal, there are now more than 10,000,000 millionaires in the world and 3.2 million living in the US alone. Why are they spending so much on mere stuff that’s polluting the environment and not much on transcendent experiences that can be made in carbon-neutral ways? I don’t know, but I do know that Will Smith Sr. (father of Will Smith Jr.) has his priorities in order, and his generosity expands far beyond just the support of his favorite living artists: it actually enriches the arts.
So a shout out to Will Smith Sr., and an invitation to those who are trying to decide how they might allocate their assets between things (that need space) and experiences (which can be carried always). And a prayer that my favorite living artists will have the creative and legal freedoms to create more musical descendents to fill us all their their genius.
How cool is this? A bunch of recording engineers sharing their works in progress so that they can learn and improve their craft. (And maybe show off a little, too.) This is one example of an organic version of what I hope to do when permission to share is granted. As I explain in the thread:
While the Manifold Recording will certainly cater to high-end folks that want to lock it out and keep all the mixes and masters to themselves (until they release commercially), I’m also hoping that there are artists, engineers, and co-producers who are as interested in really developing not just an understanding of equipment and techniques, but creating works that are interesting and rewarding to others who try their hands at mixing and production. I detail that somewhat here the PROGRAMS section of the Manifold Recording website.
One particular technical challenge I have to address is the best way to tag all the data so that equipment chains can be easily annotated in the recording process and can be easily searched in a large (100TB) online archive. As you can see from the thread, there are no standards as to the level of detail or the integrity of the data of these community-led efforts. One idea is to use RFID to tag basically every piece of gear that can move (plus those that cannot) and then scan the chain from source to console and then attach each signal chain’s scan data to the respective track. This will ensure that every device is scanned according to its canonical identifier.
Will this catch on? I certainly hope so!
Amy sent me a link to this latest ABBA shrine, a 70,000 sq ft museum, stage and recording studio ready to inform and entertain ABBA’s greatest fans. Not that the band didn’t do a great job releasing the definitive concert/tour DVD in 2004. Platinum-level tickets cost only €190 (and given the ABBA style, I cannot imagine settling for less). I look forward to seeing what it costs to step into the recording studio and cut one’s own track with the most fabulous four, and I am delighted that ABBA are willing to open their music up this this form of enjoyment. Mamma Mia!
And yes, I hope that those who want to see ABBA in this context will also want to see other favorite musicians making music and having fun in other studio contexts.