One of my favorite internet forums is gearslutz.com. Filled with professional recording engineers, producers, and a reasonable number of musicians, it’s a great resource for reading about the technology, techniques, and aspirations of making great recordings. One of the posts to kick off the new year asked about discipline, and I particularly appreciated the response by Fletcher, one of the more colorful commentators on the list.
He begins by saying:
Continue reading “Fletcher writes about Discipline”
Earlier this year I attended SPARKCON 2007, a conference set to “ignite the creative hub of the South.” I joined two days of “ideaSPARK” sessions, including one that covered my favorite topic—combining open source and music. I made many great connections and gained more than a few truly profound insights about how to make my studio plans better.
One of the folks I met there was Frank Konhaus, and he introduced me to the movie that gives this blog its title: Tom Dowd & The Language of Music. I immedately ordered it from Amazon.com and then promptly left for a 15-day trip to Asia, but the DVD was on my doorstep—and dry because of the drought—when I returned.
After watching the video, I can only imagine that everybody wants somebody like Tom Dowd in their studio, using their technical knowledge, musical knowledge, profound humility and wonderful optimism helping to make the best possible records. I certainly do! But more importantly, I believe that the environment we are trying to create will nurture new Tom Dowds, not box them in or shut them down.
I heartily recommend to any and all that this video demonstrates the viability of collaboration between artist, engineer, and producer. And I will start to build a library of quotes from that video that talk to the specifics of the successes Tom helped achieve for his artists, his label, and all of us, the music-loving community.