How cool is this? A bunch of recording engineers sharing their works in progress so that they can learn and improve their craft. (And maybe show off a little, too.) This is one example of an organic version of what I hope to do when permission to share is granted. As I explain in the thread:
While the Manifold Recording will certainly cater to high-end folks that want to lock it out and keep all the mixes and masters to themselves (until they release commercially), I’m also hoping that there are artists, engineers, and co-producers who are as interested in really developing not just an understanding of equipment and techniques, but creating works that are interesting and rewarding to others who try their hands at mixing and production. I detail that somewhat here the PROGRAMS section of the Manifold Recording website.
One particular technical challenge I have to address is the best way to tag all the data so that equipment chains can be easily annotated in the recording process and can be easily searched in a large (100TB) online archive. As you can see from the thread, there are no standards as to the level of detail or the integrity of the data of these community-led efforts. One idea is to use RFID to tag basically every piece of gear that can move (plus those that cannot) and then scan the chain from source to console and then attach each signal chain’s scan data to the respective track. This will ensure that every device is scanned according to its canonical identifier.
Will this catch on? I certainly hope so!
The Manchester Craftsmen’s Guild is a multi-discipline, minority directed, center for arts and learning that employs the visual and performing arts to foster a sense of accomplishment and hope in the urban community. Pittsboro is not exactly an urban community, but the needs of youth and the role of the performing arts to develop and nurture an authentic, powerful voice is every bit as important in North Carolina as it is in downtown Pittsburgh. And I do hope that if the Guild fancies a visit to North Carolina, or if there is a new Guild that forms closer to Pittsboro, I hope there might be an opportunity to share the dream and to give these young performers some studio experience, too.
‘Tis the season, and like so many cities in America, the Nutcracker is playing to full houses here in Raleigh. I used to hate it when my parents would take me to the ballet, usually because my mother or somebody she knew was playing in the symphony and she was unwilling to leave me at home to watch something better on TV. But over the years my appreciation for music developed, and though my 10 year old self would never ever have believed it, I now enjoy listening to classical music and I find the ballet to be one of the most stimulating musical experiences to be found anywhere. What happened?
Continue reading “Nutcracker Nation”
My daughter is eight years old, and one of her favorite CDs is the Kid Pan Alley Nashville CD. She knows all the lyrics, all the melodies, and uses it as inspiration for her own flights of poetic fancy. Which is wonderful when you consider the mission statement of Kid Pan Alley: inspiring kids to be creators, not just consumers of popular culture.
I first heard about Kid Pan Alley while listening to an episode of NPR‘s Morning Edition on my local radio station, WUNC. Their motivation and my own seemed so aligned, at least when it came to introducing children to music in a cultural context. I loved the idea of soliciting song and story ideas from the children, and then as much as possible using the material provided by the children to create popular songs. I must admit that despite owning more than 1,000 CDs, at most a handful have that “Nashville Sound”. But I like Kid Pan Alley!
I’m looking into bringing them (back) to North Carolina and doing a CD with a creative commons license. Are you as excited as I am? Are you interested in co-sponsoring their visit? If so, send me an email and/or indicate +1 in your comment on my blog.